《异端》Didier Konings’ simmering mediaeval horror Witte Wieven explores the confluence of religion and patriarchy in an excessively puritanical Dutch village. Blamed by her community for being childless, Frieda immerses herself in prayer and ritual. When she returns unscathed from the forbidden forest surrounding the village, having evaded a lecherous butcher, she is condemned as an agent of the devil. Frieda, however, finds new faith in the dark powers that inhabit the woods. Shot in a reduced colour palette at the edge of visibility, Konings’ gripping film constructs a convincing pre-modern society whose practices it elucidates with patience and attention. Although set in the Middle Ages, Witte Wieven displays an unmistakably contemporary spirit, crafting a feminist parable about women discovering new ways of understanding their lives and the world.,“不是,我鬼域不止一次扫看过这里了,我敢肯定这玩意应该是最近出现的,但是从这掩埋的情况来看似乎已经存在了好几年了,不过也不用乱猜,拔出来看看就知道了。”杨间说完直接走过去,伸出焦黑的鬼手,一把抓住了那……
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